About a week ago, the musical alter ego of Donald Glover, Childish Gambino released his amazing video, This Is America. It’s a great song, great video, great dancing: it’s tough material. Glover/Gambino is working on the interlocking problems of guns, racism, black America, policing, social awareness: and violence.
In case you’ve missed the video, a brief google and you will find a spectrum of responses, and, by and large, everyone expresses their delight at the total artistic expression, and the collective deep exhale: this video did it all for many of us. Lots of analysis and praise. Rightly so.
What took me by surprise involved the limited astonishment at the dance: including those who did not comment on it at all. How do I say this? I watched the video a couple of times, and I was mesmerized by the choreography. So much of the drama, the politics, the critique: it was all in the dance. Yet, for so many commentators: it was about a few segments or postures: the whole was not considered in regard to music.
I’m not a dance critic, and, of those who know me, all of my learning about dance comes through my family, especially from our days living in Houston. But, here’s the oddity: most of the really great political criticism these days can routinely observed and enjoyed in local dance companies. You don’t have to wait for the next production by Gambino.
Now, it is also true, that you can see some major choreographies around North America that have an excellent choreography, live music, and superb dancing at the highest levels of artistry. If you get an opportunity to see Ohad Naharin, don’t miss his company or choreography. All the works from Jiří Kylián have a similar edge, addressing historical matters of injustice and war.
But, more often than not, I am captured by the kind of critique you and I enjoyed from Gambino in local performances. My attendance at a few different festivals remains limited, but if you want to see more works like Gambino’s: Attend (and support!) local dance festivals. You’ll be amazed.